Recently, I’ve been (not consciously) finding artists who push the boundaries of more traditional art materials. Today it is push pins!
“Whether a symptom of corporate and social homogenization, or the four base pairs of DNA, we are products of just a small handful of variables. In five colors of plastic, you can be reproduced.
I enjoy very much making something digital with my hands. I enjoy making work that requires a physical proximity. I enjoy the fact that this work travels from the intangible, the binary, to the tactile, the singular.
By invoking these mediums, I hope to generate a dialogue and sentiment that has something to do with the effort, repetition, focus, discipline, absurdity, and love that went into its making.”
“Eric Daigh’s artwork combines creativity along with hours of diligent application. As a process artist, his work starts with taking a series of photographs of his subject.”
“After carefully analyzing the photos, he uses a computer and specialized software to break an image down to a very low resolution and forces the computer to make the image out of only five colors (red, blue, yellow, black and white). He then uses a grid map to show where to stick the pins row by row.”
“At first glance, Daigh’s artwork appears to be a low-resolution portrait, but upon closer inspection, onlookers can see each piece is made up of thousands of colored pins. Many of his art pieces use over 11,000 pushpins to complete a three-foot by four-foot piece and as many as 25,000 pushpins for a four-foot by six-foot piece.”
“In Summer 2010, Daigh surpassed his own world record by creating a commissioned pushpin piece for automaker Acura, which used 109,687 pushpins.”